Postingan

Menampilkan postingan dari Februari, 2011

JH Engstr�m, Laura Hynd, Michael Grieve and Tereza Zelenkov� @Oblong Gallery, London

What Oblong Gallery lacks in space it certainly makes up for with quality. In its next exhibition, the works of JH Engstr�m, Laura Hynd, Michael Grieve and Tereza Zelenkova (all 1000 Words affiliated artists) have been brought together to explore the subjective approach of the authors in their search for meaning in an existential world. Together they embrace the tragedy of dislocation and beauty of absurdity through work that is grounded in the sublime impossibility of the documentary genre. The exhibition is a rare opportunity to understand the sensibilities of four extraordinary art photographers.

JH Engstr�m (1000 Words issue #6 cover artist) is a Swedish photographer of notable distinction. His works, Trying to Dance, Haunts, From Back Home and La Residence have been published by Journal, Max Strom and Steidl, and he has exhibited widely including Galerie Vu in Paris, Gun Gallery in Stockholm and at Arles Photofestival where his project, Wells, was curated by Nan Goldin. At Oblong,…

Shadow Catchers: Camera-Less Photography

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Image � Floris Neus�ss

If you haven't had a chance to check out Shadow Catchers: Camera-less Photography at the V&A yet, there's still time, as the show closes it's doors on 20 February. Featuring Floris Neus�ss, Pierre Cordier, Susan Derges, Garry Fabian Miller and Adam Fuss, the exhibition offers a cross-section of the careers of each artist alongside new work created exclusively for the occasion.

In contrast to the visually verbose nature of much photography, the work of the artists presented here is by turns minimal and reductive. The differing techniques - achieved by not using a camera - create an interesting sense of indexicality and gently coax the viewer into a highly contemplative state. Living up to the title, the ethereal and the fleeting loom large and the work often draws inspiration from nature, religion, science as well as photographic history.

Introducing the exhibition is Floris Neus�ss� work - well developed in exploring it's themes of "myth…

La Boheme Artists in the 19th and 20th century photography by Bodo von Dewitz

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We�ve got three copies of La Boheme Artists in the 19th and 20th century photography by Bodo von Dewitz to give away, courtesy of our partners Steidl. Follow us on Twitter @1000wordsmag and retweet the announcement to enter. Offer ends 25 February.

Bodo von Dewitz
La Boheme Artists in the 19th and 20th century photography
Steidl





Henry Murger described within his novel La Boh�me for the first time in history the life and struggle of poor artists within bourgeois society. This was the beginning of the romantic myth of the independent, anarchistic spirit of creative artists. In that context photography played an important role, used by the artists for self-exposure and to document their working conditions and leisure. The bohemian legend persists in literature, on stage and film, as well as in the attitudes of numerous artists of our own time. This book assembles daguerreotypes and photographs of painters, sculptures, writers and actors, portraits and group pictures, pictures of studio int…

Carrie Levy

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All images � Carrie Levy

This project came across my desk a few days ago via one of our contributing writers, Susan Bright. Both beautiful and poetic, it is also disquieting and dark. It's serious stuff, in the sense that it addresses some of the underlying tensions of photography - namely the politics of representation - not in an obvious way, but by various subtle and beguiling means.

"For my latest body of work, You Before All (2008-present), says Levy, "my photographs continue to concentrate on my camera's ability to harshly manipulate its subjects while controlling their bodies and emotions. The simple approach and ominous tone in this series introduces two paradoxical states: pain and ecstasy along side villain and victim. As the photographer, I want the viewer to question my motives as they experience the potential harm or pleasure inflicted upon my models. Being a female artist and the authority behind this work, I chose solely male subjects in order to enhance…

Ej Major wins The Salon Photo Prize 2011

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Thank you to all those who applied to The Salon Photo Prize 2011. Making the selection was far from easy. Out of an extensive list of strong entries (we received 953 applications in total), the judging panel has chosen 39 artists to exhibit:

Manuela Barczewski, Sara Bjarland, Richard Burton, Emma Crichton, Alex Currie, Julia Curtin, Marysa Dowling, Lisa Elmaleh, Valentina Ferrandes, Iulia Filipovscaia, Jo Gane, Marguerite Garth, Ben Gold, Isabelle Graeff, Julie Hill, Ellie Davies, Tess Hurrell, Mandy Lee Jandrell, Jordanna Kalmann, �zant Kamaci, Naima Karlsson, Yaron Lapid, EJ Major, Zoe Maxwell, Georgina McNamara, Kate Nolan, Ethna O'Regan, Vesna Pavlovic, Sever Petrovici-Popescu, Luca Sage, Carolyn Scott, Louise Short, Jayne Smith, Alison Stolwood, Jan Stradtmann, Carole Suety, Chiara Tocci, Philip Tottenham, Rachel Wilberforce.

The exhibition will continue from 4 February - 26 February, Friday-Sunday (12.00-18.00) at Matt Roberts Project Space.

To download this year�s PDF catalo…

Jacques Derrida on photography

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An interesting musing by Jacques Derrida on himself as an author, the dissemination of photographs and what happened in 1969.

"I absolutely forbade all public photographs of myself. I like photography, I don't have anything against it but..."

Yvonne Venegas

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All images � Yvonne Venegas

What we get in Yvonne Venegas' project Maria Elvia de Hank is a double-glazed representation of the Mexican bourgeois, and more specifically the particulars of one woman's creation of self-conscious social ideals and how she reifies them. In Venegas' own words:

"The focus of this project is the life, family and surroundings of Maria Elvia de Hank, the wife of the eccentric millionaire and Tijuana�s ex-mayor Mr. Jorge Hank Rohn. With her as the axis of my project, I am interested in how a woman who is wife of one of the wealthiest entrepreneurs of Mexico, builds with a perfectionist touch, a social and beauty ideal that participates as an example in both her private and public life, all this within the Tijuana upper middle class, one that is transparently still under construction."

Maria Elvia de Hank is brought to us a year after the completion of Venegas' MFA in Visual Arts at University of California San Diego. Apart from assisting …

How to make a book with Steidl

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A conversation with John Gossage

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Join the legendary John Gossage and Curator of photography at the Smithsonian American Art Museum Toby Jurovics for a conversation about The Pond and its role in the history of American landscape photography.

Introducing the work, Toby notes: "They are not easy photographs to understand, nor is the subject matter equally likeable." What is then that makes Gossage such a great photographer? Gerry Badger seems to have the answer(s). Here is an extract from the chapter called A Certain Sensibility: John Gossage, The Photographer as Auteur in his brilliant book The Pleasures of Good Photographs (Aperture, 2010):

"What makes a very good, or a great photographer? Is it the steady accumulation of stunning single images, in the manner of a painter, the standout pictures that catch the eye in an art gallery and immediately attract the imitators, perhaps forming the beginnings of a school? The painterly photographers, or the photographic painters, if you will, like Andreas Gursky…

1000 Words Photography Magazine #10

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It gives us great pleasure to let you know that the new issue of 1000 Words "Aporia" has now hit the digital shelves. To view it please go to: www.1000wordsmag.com

APORIA: [uh-pawr-ee-uh, uh-pohr-] The expression of a simulated or real doubt, as about where to begin or what to do or say.

[from Greek, literally: a state of being at a loss]















This issue brings together a number of exciting artists in an attempt to tackle the idea of a shared reality and the possibility - or impossibility - of its representation through photography. "Photography is a fiction," said John Gossage "not the fiction that implies a lie, but the kind of fiction that describes the experience you are getting as fleeting and transitory yet at the same time permanent. It�s not reality in the normal way we navigate it."

With this in mind, Photography critic and Picture editor at The Telegraph, Lucy Davies considers the fascinating portraits of Robert Bergman; Aaron Schuman speaks to Craig Ma…

Clikpic - websites for photographers and artists

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Clikpic is a special service that provides photographers and artists with excellent looking websites for only �35 pa. With minimal technical expertise required, you can use their online admin system and a wide choice of template designs to create and edit your own website with the minimum amount of hassle and expense.

-Update and change your site whenever you want and as often as you like.
Link up to PayPal or Google Checkout to sell your work online - you can even have a shopping basket facility within your website.
-Have as many pages as you like in a variety of formats.
-Dozens of features and options to customise your site and give it your own feel and look.
-Slideshows, image watermarking services, guestbooks, contact forms, etc, plus many more built-in features!
-The beauty of the Clikpic system is that you can make your site as easy or as complex as you like, with dozens of additional features and options to do more or less whatever you want with your website. All within the �3…

Interview with 1000 Words Deputy editor Michael Grieve

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An abridged version of the following interview between Nina Strand, editor at Objectiv and 1000 Words' Deputy editor Michael Grieve was recently published in the Norwegian newspaper, Dagbladet. Read on for a more in depth discussion about the future of print, digital curating, the problems with the term 'emerging artist' and the thinking behind 1000 Words as the magazine prepares to launch its landmark 10th issue.






















Nina Strand






















Michael Grieve

NS: After 22 years Portfolio ends, what are your thoughts?

MG: I think it is very sad that Portfolio will no longer exist. Its design, editing, writing and production values are superb and set the standard for any aspiring photographer to grace its pages. Photography needs high standards in all areas and that this particular magazine has folded is a great loss.

NS: And your thoughts on Photoworks?

MG:Photoworks is an integral aspect of the 'art' photography community in Britain and across the globe. It tends to deal with more conceptu…