Menampilkan postingan dari Oktober, 2012

The future of photography

It's been at least six months since an institution posed the modest question, what is the future of photography? so here is the latest manifestation of that discourse. During Unseen 2012, the Friday afternoon panel discussion 'Future of Photography' examined 'what's next' in the contemporary photography landscape. Panel discussions members included Marc Feustel (Eyecurious blog), Simon Baker (Curator of Photography and International Art, Tate), James Reid (Director of Photography at Wallpaper), Christine Ollier (Artistic Director of Galerie les Filles du Calvaire), Francois H�bel (Director of Les Rencontres d'Arles Festival). The discussion was moderated by Marcel Feil, Artistic Director of FOAM.

In all seriousness, it's a highly engaging and enjoyable video, particularly the section that flags up work from the new generation of photographic artists who are making waves (think Dru Donovan, Asger Carlsen, Letha Wilson, Akiko Takizawa to name but a few) an…

Doug DuBois @Sirius Arts Centre, Cobh County Cork

All images � Doug DuBois

Tomorrow evening the Sirius Arts Centre in Cobh County Cork, Ireland, will open the exhibition of works by the brilliant Doug DuBois - My Last Day at Seventeen.

In a text describing the project, DuBois ventures the following:
"Russell Heights is a housing estate of uncertain vintage that sits on Spy Hill overlooking the Cork Harbour on the Great Island in East Cork. The neighbourhood is insular: everyone seems to be someone�s family member, former girlfriend or spouse. Little can happen there that isn�t seen, discussed, often exaggerated and fiercely defended against any disapprobation from the outside.
My introduction to Russell Heights came at the invitation of Kevin and Eirn, two teenagers who took part in a photography workshop I gave at the community centre. The title of the project, My Last Day at Seventeen was uttered by Eirn when I photographed her on the eve of her eighteenth birthday. Certain photographs are made spontaneously, but most are fashion…

Cindy Sherman

What is there to say about queen bee Cindy Sherman? For 30 years she has starred in all of her photographs and yet they reveal nothing about her. For they are anything but self-portraits. Rather, her collection of pictures toss a molotov cocktail through the stained-glass window of photographic truth.

We recently happened upon this rare interview with her, produced by Art21. In it she reveals how dressing up in character began as a kind of performance and evolved into her earliest photographic series such as Bus Riders (1976), Untitled Film Stills (1977-80), and the untitled rear screen projections (1980).

Through her myriad of guises, metamorphosing from a busty Marilyn Monroe to a cowgirl to a forlorn clown, she examines issues of gender, identity and power, and explores how photography is complicit in these contructions. Often with the simplest of means - a camera, a wig, makeup, location, an outfit - but always freighted with self-reflexive irony, Sherman chosen heroines pursue this…

Daido Moriyama printing show @Tate Modern, London

Our Associate editor, Brad Feuerhelm on the rare opportunity to create his own limited-edition, photo book with legendary Japanese photographer, Daido Moriyama.

I was lucky enough to get to the Tate Modern last week to take part in making a book with Daido Moriyama along with a bevy of other photography aficionados. The idea of the printing show has been successfully resurrected by curator, writer and Goliga Press head Ivan Vartanian for the Tate�s current show Klein + Moriyama, which in itself is a great behemoth of a dual retrospective.

Mr. Vartanian has taken his cue from the original printing show that Moriyama did in New York City in 1974 wherein he notoriously and, in perfect participatory harmony, assembled a small workshop in the commercial gallery and invited interested parties to become part of the performance of book arts selection. Members were allowed to pick an amount of Moriyama�s images to collate into their own book. A highly probable gesture to the unique and collabor…

Antoine d�Agata

All images � Antoine d'Agata

Antoine d�Agata�s latest publication ICE continues his ongoing fascination with sex, drugs, death and dissecting taboos, finds Chloe Athanasopoulou.

Perhaps it is too soon to judge whether Antoine D�Agata�s newest incarnation, ICE, is his swan song, but undoubtedly, it is the most contextualised and revealing book he has produced so far. Refreshingly amoral, excessive beyond reason, paradoxical and seductive, his journey through the prism of the drug, metamphetamine hydrochloride or so-called ICE, is unlocked here not just by way of photography but also through extensive writing.

Alongside already familiar photographic work produced since 2005 in Cambodia, Thailand and Vietnam, the injections of text throughout the book, such as his personal diary, emails to and from prostitutes portrayed in ICE, his editor, and his children back in France, offer a new dimension and level of complexity to his work that refrains from repetition. ICE is not an answer, b…

William Klein + Daido Moriyama @Tate Modern, London

Fresh from the media view of the hugely anticipated Klein + Moriyama: New York Tokyo Photography Film exhibition, which opens today at the Tate Modern, Rachel Ridge reports back on her findings and brings us a quick q&a with Daido Moriyama. Also, after the drop, are two of latest of Shots videos.

Spencer Murphy


Chloe Borkett

All images �Chloe Borkett

Chloe Borkett�s vision is sensitive to the melancholia of the world. Her project Stories East of the River is a delicate yet direct document on the lives of the younger generation in small republic of Transdniester in the region of Moldova. Portraits, punctuated with lyrical details and brooding landscapes, capture a sense of an uncertain future for a generation whose identity and solid basis for growth is riddled with doubt. Sitters stare into space or look directly back at the viewer as if searching for something positive with bold yet concerned expressions.

Says Borkett: "The young are deeply proud to be Russian but are starting to question the tiny Republic�s success and the implications on their futures. International trade is restricted; jobs and opportunities are limited and on-going difficulties with obtaining expensive visas, limits economic migration."

Borkett�s strength is in her beautiful use of colour to convey a sense of the story withou…

Rafael Arocha